'Your body of work and your expertise over the craft will forever be research material for generations to come!'
'The world will remember Kalpana through the characters that showed her brilliance as an actor.'
Ivide tries to tackle a lot of things but ends up satisfying none.
Watching Aavesham is like sprinting through the whole history of our mass-masala movies and seeing it in a new light, notes Sreehari Nair. And this, incidentally, is the story of Fahadh Faasil's career too.
The film appears more colorful and vibrant but drags a bit in the second half, writes S Saraswathi.
With Premam, director Alphonse Putheran proves that he has the knack of presenting themes that have blockbuster written all over, writes Paresh C Palicha.
Malayalam film Bangalore Days boasts of fine performances, says Paresh C Palicha.
The south awards night was a GRAND affair!
The latest updates from the Telugu film industry.
In 2020, Hindi cinema had a tough time staying on par with its southern counterparts.
'Farewell to the unique artist who loved like a mother and taught many things like a teacher.'
As much as we enjoy and write reams and reams about our amazement at the Kantara climax, 30 years on from now, will we remember these portions more fondly or the ones where Shiva is simply hanging out with his friends, mulls Rohit Sathish Nair.
'Ours is a disaster movie with no big stars, songs or commercial ingredients.' 'Yet, it is Malayalam cinema's highest grosser.'
Joginder Tuteja points us to the busiest actresses down south.
Indira Kannan picks Made in Bangladesh, Greed, Moothon.
Bangalore Days director Anjali Menon discusses her films and more.
'Raj and DK have taken the effort to look at Moosa as a person.' 'Like, what happened to him?' 'What made him become a terrorist?' 'The emotional trauma that he might have had... that clicked for me.'
Sukanya Verma lists the movies she grabbed at MAMI this year.
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